by Kai Wolter
MPC R&D Siggraph 2017 talk on creating the water effects for Pirates of the Caribbean: Dead Men Tell no Tales
MPC R&D Siggraph 2017 talk on creating the water effects for Pirates of the [...]
by Alan Bucior
How MPC created massive procedural city for the film Alien: Covenant
How MPC created massive procedural city for the film Alien: Covenant
by MPC R&D
In this first part the Pixar Renderman team came to visit MPC Film in London to learn how Renderman contributes to the VFX process.
In this first part the Pixar Renderman team came to visit MPC Film in London to learn [...]
by Guillaume Francois
This Siggraph 2009 talk explains MPC R&D's investigation into a new rendering method for rendering volumes such as smoke, fog and dust.
This Siggraph 2009 talk explains MPC R&D's investigation into a new rendering method [...]
by Tony Micilotta
In this Siggraph 2015 talk, MPC talk about how they created the Sentinels to be directed artistically for X Men: Days of Future Past
In this Siggraph 2015 talk, MPC talk about how they created the Sentinels to be [...]
by MPC R&D
MPC R&D highlight their new workflow to generate wrinkles automatically for Dumbo.
MPC R&D highlight their new workflow to generate wrinkles automatically for Dumbo.
by Damien Fagnou
In this Siggraph 2011 talk Damien Fagnou of MPC discusses the stereo film-making techniques at the time.
In this Siggraph 2011 talk Damien Fagnou of MPC discusses the stereo film-making [...]
by Damien Fagnou
This Siggraph talk from 2010 explains the creation a highly sophisticated feather system for several flying characters.
This Siggraph talk from 2010 explains the creation a highly sophisticated feather [...]
by MPC R&D
MPC R&D's Rob Pieké shows us a fun and different spin on light transport by using RenderMan to create a photonic computer!
MPC R&D's Rob Pieké shows us a fun and different spin on light transport by using [...]
by Clair Bellens
In this Siggraph 2015 talk read how MPC simulated the cloth for a crowd of 200,000 agents.
In this Siggraph 2015 talk read how MPC simulated the cloth for a crowd of 200,000 agents.
by Guillaume Francois
Siggraph 2016 talk explains how MPC produced a 90-second shot for Fast & Furious: Supercharged at Universal Studios Hollywood.
Siggraph 2016 talk explains how MPC produced a 90-second shot for Fast & Furious: [...]
by Rob Pieké
We present a user-friendly 3D color space sculpting toolset which allows a user to make complex and elegant color alterations.
We present a user-friendly 3D color space sculpting toolset which allows a user to [...]
by Damien Fagnou
This Siggraph 2010 talk explains how MPC R&D updated their hair & fur system Furtility to handle growing and transforming hair.
This Siggraph 2010 talk explains how MPC R&D updated their hair & fur system [...]
by Marco Romeo
How MPC R&D developed a system to enable the caching and fast previewing of animated characters in complex shots within Maya
How MPC R&D developed a system to enable the caching and fast previewing of animated [...]
by Curtis Andrus
We present new tools and workflows to procedurally create natural looking fluffy fur effects without hair simulation.
We present new tools and workflows to procedurally create natural looking fluffy fur [...]
