by Kai Wolter
MPC R&D Siggraph 2017 talk on creating the water effects for Pirates of the Caribbean: Dead Men Tell no Tales
MPC R&D Siggraph 2017 talk on creating the water effects for Pirates of the [...]
by Hannes Ricklefs
How MPC used cloud technology to complete Disney's The Jungle Book
How MPC used cloud technology to complete Disney's The Jungle Book
by Curtis Andrus
We present how have modified the way we load and render geometry for simulating trees in a larger and moving environment.
We present how have modified the way we load and render geometry for simulating trees [...]
by Kirk Chantraine
In this Siggraph 2015 talk, MPC R&D explain how they updated their pipeline to accommodate large amounts of data to create panoramic images.
In this Siggraph 2015 talk, MPC R&D explain how they updated their pipeline to [...]
by Rob Pieké
Siggraph 2016 talk explains how MPC produced a 90-second shot for Fast & Furious: Supercharged at Universal Studios Hollywood.
Siggraph 2016 talk explains how MPC produced a 90-second shot for Fast & Furious: [...]
by Tom Melson
This Siggraph 2017 talk explains the tools MPC R&D build in order to manage huge and highly detailed jungle sets for The Jungle Book.
This Siggraph 2017 talk explains the tools MPC R&D build in order to manage huge and [...]
by Damien Fagnou
This talk from Siggraph 2010 explains the research from MPC R&D into using free form deformations to manipulate animations.
This talk from Siggraph 2010 explains the research from MPC R&D into using free form [...]
by Marco Romeo
How MPC R&D developed a system to enable the caching and fast previewing of animated characters in complex shots within Maya
How MPC R&D developed a system to enable the caching and fast previewing of animated [...]
by Curtis Andrus
This Siggraph 2017 talks about augmenting The Mummy's Ahmanet with optical flow-based face tracking
This Siggraph 2017 talks about augmenting The Mummy's Ahmanet with optical flow-based [...]
by Marco Romeo
Read how we used RenderFlow, our own pipeline-aware rendering API to produce high quality daily previews for internal and client reviews
Read how we used RenderFlow, our own pipeline-aware rendering API to produce high [...]
by Marco Giordano
Marco Giordano continues his GPU culling experiments, this time looking at how to optimze and improve the performance even more.
Marco Giordano continues his GPU culling experiments, this time looking at how to [...]
by Kai Wolter
We present the unique challenges of creating of large scale environments for a full CG feature film.
We present the unique challenges of creating of large scale environments for a full [...]
by Tony Micilotta
In this Siggraph 2015 talk, MPC talk about how they created the Sentinels to be directed artistically for X Men: Days of Future Past
In this Siggraph 2015 talk, MPC talk about how they created the Sentinels to be [...]
by Tony Micilotta
This Siggraph 2016 talk explains the tools and techniques in creating over 200 unique trees, vines and other plantlife for The Jungle Book
This Siggraph 2016 talk explains the tools and techniques in creating over 200 unique [...]
by Curtis Andrus
We describe the tool that was built to simulate secondary motion of flesh and resolve geometry intersections on Detective Pikachu.
We describe the tool that was built to simulate secondary motion of flesh and resolve [...]
