by Kai Wolter
MPC R&D Siggraph 2017 talk on creating the water effects for Pirates of the Caribbean: Dead Men Tell no Tales
MPC R&D Siggraph 2017 talk on creating the water effects for Pirates of the [...]
by MPC R&D
In this first part the Pixar Renderman team came to visit MPC Film in London to learn how Renderman contributes to the VFX process.
In this first part the Pixar Renderman team came to visit MPC Film in London to learn [...]
by Curtis Andrus
We present how have modified the way we load and render geometry for simulating trees in a larger and moving environment.
We present how have modified the way we load and render geometry for simulating trees [...]
by Damien Fagnou
This Siggraph 2010 talk explains how MPC R&D updated their hair & fur system Furtility to handle growing and transforming hair.
This Siggraph 2010 talk explains how MPC R&D updated their hair & fur system [...]
by Marco Romeo
How MPC R&D developed a system to enable the caching and fast previewing of animated characters in complex shots within Maya
How MPC R&D developed a system to enable the caching and fast previewing of animated [...]
by Kirk Chantraine
In this Siggraph 2015 talk, MPC R&D explain how they updated their pipeline to accommodate large amounts of data to create panoramic images.
In this Siggraph 2015 talk, MPC R&D explain how they updated their pipeline to [...]
by Marco Romeo
Read how we used RenderFlow, our own pipeline-aware rendering API to produce high quality daily previews for internal and client reviews
Read how we used RenderFlow, our own pipeline-aware rendering API to produce high [...]
by Curtis Andrus
In this Siggraph 2015 talk, MPC R&D explain how they introduced robust hair styling to their proprietary fur creation system, Furtility.
In this Siggraph 2015 talk, MPC R&D explain how they introduced robust hair styling [...]
by Hannes Ricklefs
In this Siggraph talk from 2010, MPC R&D discusses the methodology and challenges involved in creating Prince of Persia's city of Alamut.
In this Siggraph talk from 2010, MPC R&D discusses the methodology and challenges [...]
by Alan Bucior
How MPC created massive procedural city for the film Alien: Covenant
How MPC created massive procedural city for the film Alien: Covenant
by Curtis Andrus
This Siggraph 2017 talks about augmenting The Mummy's Ahmanet with optical flow-based face tracking
This Siggraph 2017 talks about augmenting The Mummy's Ahmanet with optical flow-based [...]
by Hannes Ricklefs
How MPC used cloud technology to complete Disney's The Jungle Book
How MPC used cloud technology to complete Disney's The Jungle Book
by Kai Wolter
We present the unique challenges of creating of large scale environments for a full CG feature film.
We present the unique challenges of creating of large scale environments for a full [...]
by Stefano Cieri
In the DigiPro 2016 talk, read how we allowed artists to build and dress photorealistic and complex jungle environments for The Jungle Book.
In the DigiPro 2016 talk, read how we allowed artists to build and dress [...]
by Rob Pieké
Siggraph 2016 talk explains how MPC produced a 90-second shot for Fast & Furious: Supercharged at Universal Studios Hollywood.
Siggraph 2016 talk explains how MPC produced a 90-second shot for Fast & Furious: [...]
