by Kai Wolter
MPC R&D Siggraph 2017 talk on creating the water effects for Pirates of the Caribbean: Dead Men Tell no Tales
MPC R&D Siggraph 2017 talk on creating the water effects for Pirates of the [...]
by MPC R&D
In this first part the Pixar Renderman team came to visit MPC Film in London to learn how Renderman contributes to the VFX process.
In this first part the Pixar Renderman team came to visit MPC Film in London to learn [...]
by Graham Bell
See how MPC Film produced a digital recreation of the character Rachael for Blade Runner 2049
See how MPC Film produced a digital recreation of the character Rachael for Blade [...]
by Jozef Van Eenbergen
In this 2014 DevOps Exchange talk Jozef Van Eenbergen of MPC R&D looks at Amanda, our distributed services framework at MPC.
In this 2014 DevOps Exchange talk Jozef Van Eenbergen of MPC R&D looks at Amanda, our [...]
by Christoph Genzwürker
We present how we extended our proprietary grooming software Furtility with the introduction of a new feather wrapping system.
We present how we extended our proprietary grooming software Furtility with the [...]
by Alan Bucior
How MPC created massive procedural city for the film Alien: Covenant
How MPC created massive procedural city for the film Alien: Covenant
by Marco Romeo
Read how we used RenderFlow, our own pipeline-aware rendering API to produce high quality daily previews for internal and client reviews
Read how we used RenderFlow, our own pipeline-aware rendering API to produce high [...]
by Kai Wolter
We present the unique challenges of creating of large scale environments for a full CG feature film.
We present the unique challenges of creating of large scale environments for a full [...]
by Damien Fagnou
This talk from Siggraph 2010 explains the research from MPC R&D into using free form deformations to manipulate animations.
This talk from Siggraph 2010 explains the research from MPC R&D into using free form [...]
by Hannes Ricklefs
How MPC used cloud technology to complete Disney's The Jungle Book
How MPC used cloud technology to complete Disney's The Jungle Book
by Damien Fagnou
This Siggraph talk from 2010 explains the creation a highly sophisticated feather system for several flying characters.
This Siggraph talk from 2010 explains the creation a highly sophisticated feather [...]
by Guillaume Francois
This Siggraph 2009 talk explains MPC R&D's investigation into a new rendering method for rendering volumes such as smoke, fog and dust.
This Siggraph 2009 talk explains MPC R&D's investigation into a new rendering method [...]
by Curtis Andrus
We present new tools and workflows to procedurally create natural looking fluffy fur effects without hair simulation.
We present new tools and workflows to procedurally create natural looking fluffy fur [...]
by Ben Cole
This Siggraph 2011 talk explains how MPC introduced Kali, a new element based simulation toolkit for large scale & detailed destruction.
This Siggraph 2011 talk explains how MPC introduced Kali, a new element based [...]
by Rob Pieké
Siggraph 2016 talk explains how MPC produced a 90-second shot for Fast & Furious: Supercharged at Universal Studios Hollywood.
Siggraph 2016 talk explains how MPC produced a 90-second shot for Fast & Furious: [...]
